Vicki (above) told us that her story, 'Ladies' Day', first appeared in an anthology from enterprising Scottish independent publisher Freight before being picked up for BBSS by series editor Nicholas Royle. It's an account of a group of housebound young mums attempting with a day at the races to escape the inevitable sense of being sidelined (and stereotyped) in their role - amusing yet also very touching.
Ailsa's haunting 'Hope Fades for the Hostages' was originally commissioned for an anthology accompanying an exhibition at the Bluecoat Gallery in Liverpool on the theme of night-time. It's an impressive orchestration of the viewpoints of three separate people awake at the same time in the night and caught with the thoughts that 3 am brings - very tense, and very moving.
There was a brief Q & A when we discussed the importance of place in stories. There was general acknowledgement that naming a setting can help readers imagine and identify, but Vicki and I both said that we tend not to if we can help it, because of the danger of, on the one hand, readers bringing ready-made connotations that are not necessarily useful to a story, and, on the other, of creating a sense of exclusion for readers who aren't familiar in life with a place. We were all agreed, however, that atmosphere was important, and a strong sense of place (named or unnamed) creates it.
Here are some of us milling in the interval:
Thanks so much to Ailsa, to our editor Nicholas Royle, and of course to our publishers Salt. And last, but not least, to the audience.